Update 2019: Print Acquisitions
Introduction Exciting developments at the end of 2019 spark this ART I...
Remedy for Rethel: Conserving 1840s broadsheet
Introduction I hadn’t realized that it took me over two years to...
ERIC AVERY: Paradise arrives
Introduction Some how in the process of completing my first ART I...
Rethel’s Death as Counterrevolutionary Meme
The Want Artist Alfred Rethel (German, 1816-1859) first grabbed my attention in...
Eric Avery: Doctor of Printmaking
Introduction Ever since I purchased Dr. Eric Avery’s huge linocut Massacre of...
East-West Woodcuts: Urushibara & Brangwyn
INTRODUCTION I think purchasing Ten Woodcuts by Yoshijiro Urushibara (Japanese, 1888-1953) last...
Print Collecting: How they got here
Introduction When you don’t have deep pockets, collecting becomes an adventure where...
Tetouan: Art I See
Introduction My first post on my month in Tetouan, a small northern...
Tetouan: Art I Make
Introduction: Overseas art residencies Every once in a while I scroll through...
Leilot: Erich Glas’s Traumatic Creation
Introduction As often happens these days, it all began with an online...
Snarking at the Cottage with George Walker
INTRODUCTION This is a “Blame it on the Pup” or “Careful...
Fables: Erich Glas’s prints add to genre
INTRODUCTION One of the benefits of being a daily watchdog of eBay...
Emma Bormann: A Family Affair
INTRODUCTION Thank goodness I started a reference library around 1980, near...
New Home for MICA Printmaking
Precede Consider this blog post a primer for the Saturday, March 24,...
big clock: buy first, research later
INTRODUCTION I’ve been eyeing tall clocks (“grandfather clocks” in today’s vernacular)...