Arieh Allweil: Touring the Land
introduction This ART I SEE blog post, the sixth on the artist...
Second-chance Commode
Introduction It doesn’t make any sense that, after I purchased the above...
Ariel Allweil: Anonymous Jew
INTRODUCTION This ART I SEE post, the fifth on the publications of...
Brangwyn & Eby on WWI
Introduction Ever since I acquired a copy of Herbert Furst’s book The...
Arieh Allweil: Tumultuous Suite of lithographs
Introduction Twenty-three-year-old artist Arieh Allweil created a remarkable and in someways terrifying...
Stefan Berg: Architecture of Music
INTRODUCTion I was so impressed by a paperback edition of a wordless...
Arieh Allweil: The Book of Amos: Part 2
Introduction Welcome to the second part of my ART I SEE post...
Arieh Allweil: The Book of Amos: Part 1
introduction This ART I SEE blog post focuses on The Book of...
Harry Gottlieb’s “Coal Pickers’
Discovery The object of this blog post is about the coal culture...
Introducing Arieh Allweil
INTRODUCTION Last April the Israeli book dealer from whom I bought Erich...
Kibbutzim in Eretz Israel
INtroduction When you patronize a retailer, that seller is likely to feed...
Eli Jacobi: Missed opportunity
Introduction While I purchased this print by Eli Jacobi at auction...
John Sloan: Anatomy lesson with friends
Introduction When I started out as a print collector some 40 years...
Eretz Israel: Narratives in relief prints
Introduction Even as a seasoned print and book collector who tries...
Red Chairs: How they got that way
Introduction What seduced me into purchasing a set of six New York...